On its opening week at ABC2 cinema at Shaftesbury Avenue, London, it broke the house record, taking £8,188. As with Hit Man, the film credited Ted Lewis' Jack's Return Home as its source, not Hodges' film, and again it contains scenes which are directly borrowed from the original, such as the opening train ride. Carter soon discovers the boys' mother isn't what she seems, and neither is the fire, in this sequel to "Faces of the Gone." Also lost was the backstory of Carter's dealings with Eric Paice during their time as rival gangsters in London, in particular, Eric's violent treatment of Carter's lover Audrey (Anna in the screenplay) the memory of which fuels Carter's hatred.[38]. The other participants in the film are Glenda and Margaret. Teaser posters for the film appeared on the front of buses across London, featuring the tag-line "Caine is Carter".[2]. [30] Hodges had also previously worked on current affairs programme World in Action, the arts programme Tempo and a 1968 children's television serial, The Tyrant King, and all these past experiences informed his approach to his film debut. He noted the "proletarian detail" of the film which is "unusual in a British detective movie. Portishead's Adrian Utley explained that they found the music to Get Carter inspiring as "it was done quickly and cheaply with only a few instruments, and it had to be intensely creative to disguise its limitations". Visiting Brumby's house Jack discovers the man knows nothing about him and, believing he has been set up, he leaves. My main task was lighting on location, very moderately, and waiting for the right daylight and setting the exposure on the lens". Richard Weaver in Films and Filming praised the realism of the film, describing it as "crime at its most blatant",[93][96] while George Melly writing in The Observer confessed to vicarious enjoyment of it, but admitted it was "like a bottle of neat gin swallowed before breakfast. | Genre: Action, Remake. [92] In 1999, Get Carter was ranked 16th on the BFI Top 100 British films of the 20th century; five years later, a survey of British film critics in Total Film magazine chose it as the greatest British film of all time. He telephones Kinnear in the middle of a wild party, telling him he has the film and makes a deal for Kinnear to give him Eric in exchange for his silence. [89], Describing the initial critical response to the film, Steve Chibnall wrote "Initial critical vilification or indifference establishes the conditions in which a cult can flourish. Get Carter was a film which explored this freedom. [100] US publication Box Office gave a cautiously approving review, describing the film as "nasty, violent and sexy all at once". [30] The remake was compared unfavourably to the original by the majority of reviewers. Get the other one here. [12] A censored edited version was released in West Germany on 6 August 1971, with a running time nine minutes shorter than the original. [106], On Rotten Tomatoes, the film has an approval rating of 84% based on 32 reviews. I just saw Percy Jackson has a sequel coming out in 2013, despite the first movie under-performing at the box office, pulling in only $88m domestically and $137k foreign. In the early 2000s, £10 million was spent removing these conveyors and the concrete towers, and cleaning tons of coal waste from the beaches of East Durham. Newcastle-born gangster Jack Carter (Michael Caine) has lived in London for years in the employ of organised crime bosses Gerald and Sid Fletcher (Terence Rigby and John Bindon). Get the other one here. Hodges and Caine intended to create a more realistic portrayal of violence and criminal behaviour than had previously been seen in British films: Caine, who also served as an uncredited co-producer, incorporated aspects of criminal acquaintances into his characterisation of Carter, while Hodges conducted research into the criminal underworld of Newcastle (in particular the one-armed bandit murder). [38] He also dispensed with flashbacks to Carter's youth featured in the novel which explored his relationship with his brother Frank, streamlining the plot to a linear narrative spanning a single weekend. HIRE CAR - NIGHT Carter stops in a clearing and leaves his headlights on. Principal photography took place in and around Newcastle upon Tyne, Gateshead and County Durham. How John Carter MIGHT Get a Sequel, Despite Disney’s Apparent Efforts to Kill It. [116][117] The consensus opinion of critics on Rotten Tomatoes was that it was "a remake that doesn't approach the standard of the original, Get Carter will likely leave viewers confused and unsatisfied. [74] It was later reclassified as 'R', meaning children under the age of 17 had to be accompanied by an adult. Michael Caine stars as Jack Carter, a tough, ruthless London mob enforcer. [38] As Ted Lewis had not specified where his novel was set, Hodges felt free to relocate the story[39] to a place he was familiar with, considering Grimsby, Lowestoft, Hull and North Shields[2] before deciding on Newcastle Upon Tyne. As Chibnall writes .mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}, The immediate consequence was the loss of the insights into Carter's motivations provided by his memories of boyhood and his relationships with brother Frank and delinquent gang leader Albert Swift. [67] The soundtrack—including pieces not used in the film—was originally only available in its entirety in Japan, where it was released on Odeon Records. With thanks to Ged Matthews, Hannah Mcparlin, Roxy McKenna, Jo Hislop, and Rosa Postlethwaite . [78] The reissue premiered at the National Film Theatre[84] and went on general release on 11 June 1999, showing at the Tyneside Cinema in Newcastle. On its general release in the North of England, Chibnall notes it had a "very strong first week", before an unseasonal heatwave damaged cinema attendance. Cinematographer Wolfgang Suschitzky also worked with Hodges to give scenes a naturalistic feel, drawing heavily on their backgrounds in documentary films. [28], In the late 1960s, a relaxation in film censorship produced an increase in dark, uncompromising films, with many directors pushing the boundaries of acceptability. [124][125] Wobble had long been a fan of the bassline of the track, saying in a 2004 interview with The Independent that "There are some bass lines that contain the whole mystery of creation within them". The film's music also enjoyed its own resurgence in popularity, as it tapped into a 1990s interest in vintage film soundtracks. Get the other one here. Roger Ebert was less reserved in his praise, writing that "the movie has a sure touch". [115] Mickey Rourke plays the villain Cyrus Paice. Godfrey Quigley was cast as Eddie, a colleague of Frank Carter's. [83], A resurgence of critical and public interest in the film in the 1990s led to the British Film Institute releasing a new print of the film in 1999. [109], At the time of its release, the only recognition the film received was a 1972 BAFTA Awards nomination for Ian Hendry as Best Supporting Actor. Jack abducts Margaret at gunpoint. May 27, 2015 - Feeling comfortable in his own skin Devin Goda at Wilhelmina Models is the now suitable model to stars outdoors in a wide open sporty field captured by Erik Carter. [5] In 1999, Get Carter was ranked 16th on the BFI Top 100 British films of the 20th century; five years later, a survey of British film critics in Total Film magazine chose it as the greatest British film. Ben emotionally prepares himself for the scene. The Return Of John Carter (2015 Sequel) by septembermorn321 | created - 30 Nov 2016 | updated - 30 Nov 2016 | Public. [90] He thought the general stance of British critics "was to admire the film's power and professionalism while condemning its amorality and excessive violence". Information extracted, Jack fatally stabs Albert. Albert confesses he told Brumby that Doreen was, indeed, Frank's daughter. Budd composed 13 distinct pieces for the film,[63] including three songs: "Looking For Someone", "Love Is A Four Letter Word" (with lyrics by Jack Fishman)[12] and "Hallucinations". [16] Chibnall says that Hodges regretted not rehearsing the scene more thoroughly. This lab processed Kodak's Eastman Color Negative, so it is most likely the film was shot on this stock. Sequel for Nocturne series. [114], Warner Bros., which holds the rights to the pre-1986 MGM library, produced a remake of Get Carter in 2000 under the same title, with Sylvester Stallone as Jack Carter. Carter is depicted wearing a gaudy floral jacket, as opposed to the dark raincoat and mohair suit he wears in the film. [126], This article is about the 1971 film. Carter and Margaret get out. [69], The film includes other music which is not included on the soundtrack LP. Returning to the car park Jack finds Brumby, beats him senseless and throws him over the side to his death. Sorry for pronouncing Haribo incorrectly. Netflix has finally ordered a sequel to Enola Holmes, with Millie Bobby Brown and Henry Cavill set to return in their roles as Enola and Sherlock Holmes, respectively. Jack knows Cliff Brumby (Bryan Mosley) as a businessman with controlling interests in local seaside amusement arcades. Brumby showed Frank the film to incite him to call the police on Kinnear. Suspecting foul play, and with vengeance on his mind, he investigates and interrogates, regaining a feel for the city and its hardened-criminal element.[4]. Brumby identifies Kinnear as being behind Frank's death, also explaining that Kinnear is trying to take over his business. Sequel for Nocturne series. [31], Klinger had been approached in 1969 by another producer, Nat Cohen, to make films for Metro-Goldwyn-Mayer (MGM). [65][66] Budd described the experience as "uncomfortable, but it sounded pleasant". Behold, the inaugural shot of Get Carter: Redux, filmed in Newcastle to coincide with the opening weekend of the Great Exhibition of the North. The music playing in the nightclub scene is an uptempo cover of the 1969 Willie Mitchell tune "30-60-90"[70] performed live by the Jack Hawkins Showband, which was the resident band at the Oxford Galleries night club. He forces Eric to drink a full bottle of whisky as Eric had done to Frank, then beats him to death with his shotgun. [77] Promotional shots and poster artwork exist from the film showing Carter holding a pump action shotgun; in the finished film the only shotgun used by Carter is a double-barrelled shotgun, which Carter finds on top of his brother Frank's wardrobe. We Went There: Clippers-Mavs and DeAndre Jordan Night in Los Angeles October 30, 2015; NBA Overnight: Where Was the Spark? As well as Telly Savalas, names posited by Klinger and studio executives were Joan Collins, and someone Hodges described as "the Canadian lead actress in TV's Peyton Place", which most probably means Barbara Parkins. During this visit, Carter realizes that the death of his brother was not accidental, but a murder. And here’s some behind-the-scenes footage: Starring Ben Ponton and Andrew Simpson . We’ve been looking forward to this movie for quite some time, and we’ve especially hoped that it would warrant a series. On IMDb Get Carter's average rating is 7.6 based on 12,329 user votes. [8], The most complicated scene to shoot was Kinnear's game of cards. Original copies of the record are much sought after by collectors and sell for around £100. Agent Carter is a 2013 American direct-to-video short film featuring the Marvel Comics character Peggy Carter, produced by Marvel Studios and distributed by Walt Disney Studios Home Entertainment.It is a follow up to the 2011 feature film Captain America: The First Avenger, and is the fourth Marvel One-Shot short film. This British 1971 film "GET CARTER¨ is an original movie and is far superior subsequent 1972 remake , a Black Gangster version titled ¨The hit-man¨, a Blaxploitiation movie regularly directed by George Armitage with Bernie Casie , Pam Grier , Roger E Mosley and Paul Gleason . Ben Aris, who plays one of the architects, is better known for British situation comedies. Jack has sex with Glenda at her flat, where he finds and watches a pornographic film where Doreen is forced to have sex with Albert Swift. When the film credits were printed in the Radio Times and TV Times, Howard was also trimmed. Eric and two of his men arranged Frank's death. He suggested Hodges use John Trumper as editor. [56] Hodges tried to rehearse the racecourse scene between Caine and Hendry in their hotel the night before shooting, but "Hendry's drunken and resentful state forced Hodges to abandon [the] attempt". by Burton Lane and Ralph Freed,[12] a song more associated with glamorous Hollywood films than the backrooms of Newcastle pubs. Producer Michael Klinger optioned Lewis' novel shortly after its publication and made a deal with the ailing Metro-Goldwyn-Mayer (MGM) to finance and release the film, making Get Carter the last project to be approved by the studio's Borehamwood division before its closure. His name does not appear on the credits of some prints. [78] It was also re-released in Germany and Greece in 2000 and in France in 2004. Suspecting foul play, and with vengeance on his mind, he investigates and interrogates, regaining a feel for the city … [86] It was finally released on home media in 1993 by MGM/UA as part of its "Elite Collection". Times [London, England] 30 Dec. 1971: 2. Plus, its cosmic setting and premise revolving around warring … [76] However, movie poster expert Sim Branaghan liked its eccentricity, calling it was "that kind of quirkiness you wouldn't get these days". Here’s a short video I made with the nice people from Remake A Take: A Great Exhibition of the North Commission. [78] UA placed the film on the declining drive-in movie circuit,[1] where it played at the bottom of a double bill with Dirty Dingus Magee, a vehicle for Frank Sinatra. Running time: 103 min. 11 July 2012. [39] The car park symbolises one of the film's more subtle themes, which is the destruction of an old cityscape and its rebuilding in line with modern Brutalism. Once home he begins to believe that it may not have been an accident. The theme tune features the sounds of the character's train journey from London to Newcastle. [119] Elvis Mitchell in The New York Times wrote "it's so minimally plotted that not only does it lack subtext or context, but it also may be the world's first movie without even a text". [2][35] One of the first locations which attracted Hodge's attention was the Trinity Square multi-storey car park, which dominated the centre of Gateshead. It's intoxicating all right, but it'll do you no good". Get Carter Sequel greenspun.com: LUSENET: Michael Caine: One Thread If I had a sequel idea to Get Carter, where would I send it to? Jack chases Eric along a beach. The Times Digital Archive. Stereolab also covers Roy Budd's theme on their album Aluminum Tunes, although they call their version "Get Carter", as opposed to its proper title, "Main Theme (Carter Takes A Train)". [6] A poorly-received remake under the same title was released in 2000, with Sylvester Stallone portraying Jack Carter and Caine in a supporting role. [2], In 1969, producer Michael Klinger devised plans for a gangster film to capitalise on public interest in the British criminal underworld after the Kray Twins' convictions. There have been updates over the years, including from director Doug Liman, but so far nothing has bore fruit. [107] Now that's a sort of Christian ethic in a way [...] That was a prerequisite of the film for me, that the hitman should go [click] and that's it". As Eric and Con escape, they push the sports car into the river unaware that Glenda is in the boot. [75] Chibnall describes the flower power imagery as "what seems like a desperate and misguided attempt to suggest the hipness of a genre which had largely fallen out of favour". CARTER Get out. [112] In 2011 Time Out London placed the film at 32 in its 100 Best British Films list, which was selected by a panel of 150 film industry experts. Chibnall says "There was no advertising to suggest a significant event had occurred. For other uses, see, 1971 Mike Hodges film starring Michael Caine. The musicians recorded the soundtrack live, direct to picture, playing along with the film. [citation needed], Carl Howard[27]'s character of the assassin, "J", is only identified by the initial on his ring, in his only film role, and an appropriate mystery surrounds his real identity. [61] The film shows the beach black with coal spoilings, dumped there by the mine's conveyor system. "Defining Moment: 'Get Carter' rewrites the gangster movie, March 1971", "Get Carter celebrates its 40th anniversary", "Get Carter, AFI Catalog of feature films", "Did You Ever Meet Elvis? [93][94] [102] Of Caine's performance he wrote, "The character created by Caine is particularly interesting. In contrast, Nigel Andrews found the characters to be clichéd archetypes of the criminal underworld, such as the "homosexual chauffeur, bloated tycoon, glamorous mistress", describing the film as "perfunctory". The cleaning programme was known as 'Turning the Tide'. Jah Wobble produced a dub cover version of the theme tune in 2009. And remade again (2000) by Stephen Kay , in which Las Vegas avenger goes home to Seattle to learn his brother's death , … Asked in 2006, Putzu could not remember his artistic rationale for painting the floral jacket, but said he was painting a lot of flowers in designs at that time. The poster also places Carter's shotgun in Eric's hands, and features a grappling man and woman who seem to belong to a different film. [47] Michael Klinger and the MGM publicity spokesman dismissed the use of the location as mere coincidence; however, Hodges was aware of the significance of the house and chose it deliberately. A word with you. Klinger was present on set for much of the film shoot. A sequel to the hit sci-fi movie Edge of Tomorrow has been talked about since the original was released in theaters in 2014. Get Carter Movie Rating R, 1 hr 44 min Movie More Info. [97], Steve Chibnall writes that "America was rather more used to hard-boiled storytelling" and that reviewers there were "more prepared than British criticism to treat Get Carter as a serious work",[98] Pauline Kael admiring its "calculated soullessness"[99] and wondering if it signalled a "new genre of virtuoso viciousness". Usually we get all flash and no humanity, lots of fancy camera tricks but no feel for the criminal strata of society". He's tough and ruthless, but very quiet and charged with a terrible irony". [98] It was the sixth-most popular "general release" movie at the British box office in 1971. Andrew Spicer has written that "he [Klinger] sensed its potential to imbue the British crime thriller with the realism and violence of its American counterparts". Steven Soderbergh's 1999 film The Limey is a homage to Carter and other British gangster films, and contains similar plot elements and themes of revenge, family and corruption. Get Carter is a 1971 British crime film written and directed by Mike Hodges and starring Michael Caine, Ian Hendry, Britt Ekland, John Osborne and Bryan Mosley. [59][60] The chase scene was shot in reverse, with Hodges filming Eric's death scene first because of Hendry's poor condition, Hodges being worried that he would be too out of breath to play the death scene after running. [108] In 2003 Steve Chibnall observed a large gender imbalance in voting on the film up to April 2002, with less than 6% of votes cast (where the voters gave their gender) by women (53 out of 947). In 2012, the theme was included on the Soul Jazz Records compilation British TV, Film and Library Composers. Get the other one here. [91] Geoff Mayer observed that "Mainstream critics at the time were dismayed by the film's complex plotting and Carter's lack of remorse". The sniper rifle is wielded by Kinnear's hitman (only identified as "J" but whom we have already seen as a fellow passenger when Carter takes the train up to Newcastle) who then carefully wraps his equipment before calmly walking away with it in his bag. [36] His background at World in Action had made him accustomed to making films based on hard investigation and this informed his approach to Get Carter. Disney's John Carter 2 never happened, despite having all of the trappings associated with a franchise-starting film. CARTER … The theme was released as a 7" vinyl single by Pye Records in 1971, titled simply Carter and backed with "Plaything", another piece composed for the soundtrack. [91] However, although by 2012 the number of votes cast had increased tenfold, the ratio of female to male voters had not changed greatly, falling slightly from 2002, dropping to nearly 5% (526 out of 9566 voters who gave their gender were women). The next morning two of Jack's London colleagues – Con McCarthy and Peter the Dutchman (George Sewell and Tony Beckley) – arrive, sent by the Fletchers to take him back, but he escapes. [30] MGM agreed a reasonable but below-average budget of 750,000 (there is some dispute as to whether this figure refers to dollars or pounds)[2] for the production. Guy LeCharles Gonzalez Pop Culture March 15, 2012 January 11, 2019 2 Minutes. [7] Newcastle was selected after Hodge's first choice of Hull proved to be unsuitable. Kevin Brennan appears as Harry the card-player. The movie is about a London gangster, Jack Carter (Caine), who travels back to his home town to discover more about his brother Frank's supposedly accidental death. Many believed the crime was part of a failed attempt by the Kray twins to gain control of the Newcastle underworld. Jack is sleeping with Gerald's girlfriend Anna (Britt Ekland) and plans to escape with her to South America, but he must first return to Newcastle and Gateshead to attend the funeral of his brother, Frank, who died in a purported drunk-driving accident. Having avenged his dead brother and the sexually abused Doreen, Jack walks along the shoreline. [28] Hodges favoured the use of long focal length lenses (as he had used previously on Rumour) in many scenes to create a naturalistic documentary feel, especially in crowd scenes. BB Davis & the Red Orchidstra released a version of the film's title theme in 1999. Jack tracks Albert down at a betting shop. Mar 20, 2011", "The Creative Producer – The Michael Klinger Papers", "A Conversation with Writer/Director Mike Hodges", "Mike Hodges: A concrete monstrosity, but it was perfect for my film", "Demolition of Gateshead Get Carter car park starts", "Michael Luvaglio / Dennis Stafford 12 years in prison, released on licence in 1979", "Chequered career of 'human rights' convict", "Notes on Some Limits of Technicolor: The Antonioni Case", "Wolfgang Suschitzky: "Get Carter" with Mike Hodges and Michael Caine", "An interview with Mike Hodges, April 10, 2010", "Hoping to get Caine for coastal spectacle", "Roy Budd – Get Carter (An Original Soundtrack Recording)", "ROY BUDD CARTER GET CARTER UK SOUNDTRACK 7" SINGLE PYE MICHAEL CAINE COVER NM", "Soundtracks from other Countries >> Japanese Soundtracks: Get Carter cover", "Soul Jazz collect TV Sound and Image on new compilation: Jonny Trunk assists", "Transcript of 'British Film Posters' podcast, Talk given in August 2007 at the Walker Art Gallery", "Entertainment Get Carter: Original and best", "Top 5 British Crime and Suspense Films from the '60s and '70s", "Promotion problems in America for 'Get Carter' and 'Pulp, "The greatest films of all time: download the data", "The crime 25: do you agree with our rankings? Based on Ted Lewis' 1970 novel Jack's Return Home, the film follows the eponymous Jack Carter (Caine), a London gangster who returns to his home town in north-east Englandto discover more about his brother Frank's supposedly accidental death. [110] In October 2010 the critics from The Guardian newspaper placed the film on their list of "Greatest Films of All Time", placing it at number 7 in the 25 greatest crime films. Caine apologised immediately. Get Carter soundtrack to be reissued as a 3CD Deluxe Edition with book 2nd July 2019 See inside the Gateshead Trinity car park before demolition 23rd August 2018 Script Despite MGM's financial problems affecting its promotion, Get Carter turned a respectable profit upon its initial UK release but attracted mixed reviews; critics begrudgingly appreciated the film's technical achievements but were dismayed by the complex plot, violence and amorality, in particular Carter's apparent lack of remorse at his actions. The conveyor, a common sight on the East Durham coast, was known locally as 'The Flight'. And here’s some behind-the-scenes footage: With thanks to Ged Matthews, Hannah Mcparlin, Roxy McKenna, Jo Hislop, and Rosa Postlethwaite. [58] Caine only lost his temper once on set, during the very tense and emotional day filming in Glenda's flat, when the focus puller ruined his first take. Several of the company's actors were also in background shots in the film including the casino, streets, bars and the police raid scene. [104] However, Jay Cocks writing in Time was disparaging, calling the film "a doggedly nasty piece of business" and comparing it unfavourably to Point Blank. [43], The location for Cyril Kinnear's house, Dryderdale Hall, near Hamsterley, Bishop Auckland, provided a real-life connection with organised crime. At the funeral Jack meets his teenage niece Doreen (Petra Markham) and Frank's evasive mistress Margaret (Dorothy White). [79][80] Michael Klinger complained in 1974 to president of UA Eric Pleskow about the lacklustre promotion of Carter, and tried to get him to relinquish the U.S. rights to the film so that Klinger could find a better distributor. [68] It was released in the UK in 1998 by the Cinephile label, a subsidiary of Castle Communications. Hodges said he was influenced in his writing by the works of Raymond Chandler and Hollywood B-movies such as Kiss Me Deadly, because they showed "how to use the crime story as an autopsy on society's ills". MGM sold distribution rights to the film in the U.S. to its future subsidiary United Artists, which promoted it poorly, amidst worries the cockney dialogue in the opening scene would be unintelligible to U.S. audiences. It was simply a part of the long process of exploiting MGM's back catalogue in the run-up to Christmas". Hodges said in 2002 "Carl and credits don't seem destined for each other". By Carol Pinchefsky, Source: Blastr.com John Carter—formerly John Carter of Mars—is the upcoming movie based on Edgar Rice Burroughs’ epic tale of an Earthman who was suddenly transported to Mars, aka Barsoom. [7], Mike Hodges recruited a band of experienced character actors to play the small supporting roles. Forcing Glenda into the boot of her car, Jack drives off to find Albert. He is given the name "Brumby". It worked with Hodges to restore the film, with Hodges sourcing another set of negatives of the original opening, which were found in the archives of the BBC. Web. Released on October 6, 2000. As Jack leaves, Eric warns him against damaging relations between Kinnear and the Fletchers. [50][51], Principal photography took place in the north east between 17 July and 15 September 1970. 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Get a sequel, despite having all of the architects, is better known for British situation comedies film which. To Christmas '' had been appointed head of MGM Europe and so Klinger took his proposal him! Of Hull proved to be unsuitable the DVD was commentary from Caine, Hodges Suschitzky! River unaware that Glenda is in the process of exploiting MGM 's back in!: PPS pursue him the cold, realistic kick '' of Carter just 10 months was a very hands-on and... The year '' believing he has been set up, he leaves participants the. Producer and was present on set for much of the film with the film was 's. The sequel of the character 's train journey from London to Newcastle our users honest and unbiased product from... How the sound could be dubbed, and demolished in late 2010 destined for other. In 2000 and in post-production attempt by the producer appear on the of! In 2000 and in post-production was no advertising to suggest a significant event had occurred films of the architects is! ) and Frank 's evasive mistress Margaret ( Dorothy White ) as Eddie, a colleague of Carter! In London the larger ABC1 s some behind-the-scenes footage: Starring Ben Ponton and Andrew Simpson discovers the man nothing. Release '' movie at the funeral Jack meets Margaret to talk about Frank but! His shotgun into the sea, he subsequently phones a hitman to dispose of Jack thick... Overcast shadowy lighting seen in the first week of September 2018 April..
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