Vilayat Khan was both a traditional sitar player and a maverick innovator in his music. He was taught in the family style, known as the Imdadkhani gharana by his father and other relatives in the family. Also, he liked to perform without a tanpura drone, filling out the silence with strokes to his chikari strings. Their personalities, largely shaped by their background and upbringing, were very different, as was their impact on the public psyche, at national and international levels. Ustad Vilayat Khan (28 August 1928[1] – 13 March 2004) was an Indian classical sitar player. Nor two Vilayat Khans. Khan’s life was so integrated with his music that analysing one without the other seems impossible.
Devidayal’s book, based on her interest in the subject and research on the life, time and music of the maestro, provides a wholesome account of the Vilayat Khan phenomenon. He invented a technique of bending a note after the sitar string was plucked, creating a sound after-effect from it. [10], Khan spent much of his life in Calcutta (now Kolkata). [4][3], In 1964 and 1968, respectively, Vilayat was awarded the Padma Shri and Padma Bhushan awards – India's fourth and third highest civilian honours for service to the nation – but refused to accept them,[4][3] declaring the committee musically incompetent to judge him. This family represents the sixthh generation of musicians that dates back to the Mughal Empire.
Son enseignement provient de son père, ^ He kept his childhood interest in vocal music all his life, often singing in concerts, and composed khyal bandishes using the pen name Nath Piya. Save my name, email, and website in this browser for the next time I comment. [1] Khan’s domineering personality led to clashes with his doting brother Imrat as also with some of his closest ones. We want the individuality, the equipment, the achievement of each in his own respective field.’.
― Pir Vilayat Inayat Khan, Thinking Like The Universe: The Sufi Path Of Awakening. He also gave sitar lessons to Big Jim Sullivan, the famous English session musician.
He had been touring outside India off and on for more than 50 years, and was probably the first Indian musician to play in England after independence (1951). Born in an environment of music, he continued with the relentless sadhana (riyaz) that his father and grandfather were known for. We need them both to widen our horizons and enrich our experience.
This technique later influenced other sitar players. Vilayat Inayat Khan (19 juin 1916 - 17 juin 2004) était un professeur de méditation et des traditions de l'Ordre Chishtiyya du Soufisme de l'Inde de l'est. His phenomenal rise as a star musician proceeded together with his flamboyant lifestyle, exemplified by his love for expensive cars, beautiful women, choicest drinks, friendship with the rich and influential. When Nehru fell ill, it was Khan who was invited to play the sitar by his bedside to soothe his nerves for a restful sleep. The man, with all his contradictions, comes alive, warm, humane, charming and romantic, at the same time envious, insecure, whimsical and authoritarian.
Three great sitarists blossoming in the second half of the last century—Ravi Shankar, Vilayat Khan and Nikhil Banerjee—enriched our instrumental music tradition decisively. Your email address will not be published.
He trained his daughter, Zila, in sitar and vocal music and also made her a formal student in a ceremony in 1991. He had three children from his first marriage: Yaman Khan, Sufi singer Zila Khan, and sitarist Shujaat Khan (b. Its appeal would have been further enhanced if there were more photographs and an index. He was given a lot of credit for developing a sitar style called 'gayaki ang', where his sitar attempted to mimic the sound of the human voice and seemed to give the audience a sense that the sitar was singing.
Vilayat Khan died on 13 March 2004 at Mumbai, India at age 75. The man who emerges from the pages of this book is a musician whose life and art bore the stamp of a tumultuous childhood and agonising adolescence.
The brothers played duets in their youth but had a severe falling-out and for years were not on speaking terms. In the 1990s, his recording career reached a climax of sorts with a series of ambitious CDs for India Archive Music in New York, some traditional, some controversial, some eccentric.
148 likes. Ses parents se sont rencontrés à New York, à l'ashram de Pierre Bernard, yogi Américain et demi-frère de sa mère Pirani Amina Begum[1]. Two Ravi Shankars would not have served the same purpose.
Un article de Wikipédia, l'encyclopédie libre. 1975), also a professional sitarist.
By his first marriage with Monisha Hazra, a sophisticated Calcutta lady, he had three children, Shujaat, Yaman and Zila. The sitar and Vilayat Khan had become synonymous. After the second marriage with Lisa, his son Hidayat was born. [3], Vilayat composed and conducted the score for three feature films – Satyajit Ray's Jalsaghar (1958) in Bengali,[4][7] Merchant-Ivory Productions' The Guru (1969) in English,[1][4] and Madhusudan Kumar's Kadambari (1976) in Hindi. After the second marriage with Lisa, his son Hidayat was born. Amitbha Bhattacharya, an engineer by education and a retired member of the IAS, has served in the erstwhile Planning Commission as Principal Adviser in charge of Education, Culture, and with UNDP, New Delhi. Sixteen years have passed since the demise of Ustad Vilayat Khan in the spring of 2004. Monisha is quoted saying how certain rules required to be followed strictly. "If there is any award for sitar in India, I must get it first", he said, adding that "there has always been a story of wrong time, wrong person and wrong award in this country".[2]. Inayat Khan nait en 1882 à Baroda, dans une famille de musiciens connue depuis plusieurs générations. Monisha is quoted saying how certain rules required to be followed strictly.
Among other honours he turned down was the Sangeet Natak Akademi Award. À cette époque il parle déjà du besoin de dissoudre les différences entre les personnes/peuples, et en particulier, entre les personnes de confession hindoue et celle… En 1975, il fonde l'Abode of the Message, qui est le quartier résidentiel de l'Ordre Soufi International, un centre de conférence et de retraite, et un centre d'étude de l'ésotérisme[2]. So do stories of him living life in regal splendor. This time he stated that he would not accept any award that other sitar players, his juniors and in his opinion less deserving, had been given before him. The infant is music itself.” ― Hazrat Inayat Khan tags: metaphysics, music, philosophy. He had three children from his first marriage: Yaman Khan, Sufi singer Zila Khan,[11] and sitarist Shujaat Khan (b. The Press Trust of India reported that Vilayat Khan had lung cancer, diabetes and hypertension. Brought up under the strict discipline of their mother, how the brothers flourished against extreme hardships makes a compelling narrative. He was a musician by birth because he was born in a family that had worshipped Indian classical music … But for his untimely death, Nikhil Banerjee would have also had a much wider audience and perhaps been as acclaimed as the other two.
Vilayat Khan was survived also by his younger brother, Imrat Khan.
Devidayal has traced the evolution of Vilayat Khan—the handsome man and the awe-inspiring artiste—through his early days in Gowripur to Calcutta, Delhi, Bombay, Shimla, Dehradun, Princeton and other places in India, Europe and the US, visiting each location where he had spent years of his life and meeting his relatives, friends, and disciples, weaving a story that is both interesting and truthful. Bade Ghulam Ali Khan was about freedom…And Amir Khan is only about ibadat. Prayer.’. Vilayat Khan on a 2014 stamp sheet of India, The Rough Guide to the Music of India and Pakistan, Profile of Vilayat Khan on Encyclopedia Britannica, "No Compromise in his Art (an interview with Vilayat Khan)", "Ustad Vilayat Khan, 76; Leading Indian Sitar Player, Composer (obituary)", "Vilayat Khan, 76, Musician Who Redifined Sitar Playing", "1st Moscow International Film Festival (1959)", "Sufi singer Zila Khan to perform at Jamia", https://en.wikipedia.org/w/index.php?title=Vilayat_Khan&oldid=983218450, All Wikipedia articles written in Indian English, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, V. V. Swarna Venkatesa Deekshithar (1986), This page was last edited on 12 October 2020, at 23:27.
The development of Vilayat Khan’s unique music style—popularly known as the ‘gayaki ang’ (the vocalist style), as if he sang through the sitar, was influenced by his early training by vocalists (Khan himself used to sing well) and complemented by his innovation of a six-stringed sitar.
During his long career, he toured and performed in South Asia, China, Africa, Europe and the former Soviet Union. As a boy, Vilayat wanted to be a singer; but his mother, herself from a family of vocalists, felt he had a strong responsibility to bear the family torch as a sitar maestro.[4]. [4], Vilayat took few disciples other than his sons; among the best-known are Kashinath Mukherjee (younger brother of film director Hrishikesh Mukherjee) and Arvind Parikh. Like “We grown-up people think that we appreciate music, but if we realized the sense that an infant has brought with it of appreciating sound and rhythm, we would never boast of knowing music.
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