The Surrender of Breda, or La Rendicion de Breda to give it its original Spanish title, was completed by Diego Velazquez in 1635 The Museo del Prado in Madrid retains the original painting, alongside a fine collection of other Velazquez artwork. Though the elaborate composition was based on a pictorial formula of … Ribera, Martyrdom of Saint Philip. The Surrender of Breda, by the court’s leading artist Diego Velázquez, celebrates the Spanish takeover of the Dutch town of Breda on June 5, 1625. It was completed during the years 1634–1635, inspired by Velázquez's visit to Italy with Ambrogio Spinola, the Genoese general who conquered Breda on June 5th of 1625. Instead the rivals appear on foot almost as equals. The Surrender of Breda (1634-35) by VELÁZQUEZ In the throne-room of Buen Retiro where courtly ceremony was displayed to the full, symbolically representing the monarchy to the outside world, there were twelve battle scenes showing the latest victories won under Philip IV. Practice: Velázquez, Las Meninas. This new puzzle is based on La rendición de Breda (English: The Surrender of Breda, also known as Las lanzas – The Lances) – a painting by the Spanish painter Diego Velázquez. The painting depicts the surrender of the Dutch by Justin of Nassau to the Spanish army. Unlike typical surrender scenes, there is neither a heroic victor on horseback nor a vanquished commander on his knees. Velázquez painted The Surrender of Breda as an emblem of Spanish nationalism and … In his painting, Velásquez emphasizes the graciousness of the Spanish. This is the currently selected item. Breda was the Dutch city, an important strategic point in the war of Spain and the Netherlands. Zurbarán, The Martyrdom of Saint Serapion. The Surrender of Breda is a complicated composition due to the large number of figures, the animals, the complex crowds, and many battle accessories. Velázquez, Las Meninas. This painting was a … The Surrender of Breda, a painting by Diego Velásquez, vividly captures the end of the Spanish siege. Jerónimo de Balbás, Altar of the Kings (Altar de los Reyes) The painting depicts the moment on the fifth of June, 1625, when the Dutch general Justin Nassau surrendered the Dutch town of Breda to Spanish forces led by General Ambrosio Spínola. The Surrender of Breda (c. 1635), Velázquez’s famous contribution to the series of military triumphs painted for the same throne room, is his only surviving historical subject. The painting was commissioned by Philip IV of Spain between 1630 and 1635 for the palace of Buen Retiro. In 1637 Breda was recaptured by Frederick Henry after a four-month siege, and in 1648 it was finally ceded to the Dutch Republic by the Treaty of Westphalia. Breda is packed with vivid military detail—whole armies are suggested on the huge canvas, twelve feet high and eleven feet wide. In order to organize and balance the painting, Velázquez employs a device he commonly used throughout his career: he divides the action into two spaces. The Surrender of Breda, Diego Velázquez. "The Surrender of Breda," a midcareer masterpiece by Diego Velázquez (1599-1660), depicts a rare, graceful moment of Spanish triumph during the Eighty Years' War, which pitted imperial Spain against the fledgling Dutch Republic. One of the most famous of Velázquez's paintings, The Surrender of Breda depicts a contemporary event of the utmost importance for Spain's (and ultimately all of Europe's) history. At the center of the canvas, Dutch commander Justin of Nassau stands facing Italian general Ambrosio Spinola, leader of the Spanish troops. The Surrender of Breda was one of 20 large paintings, which were supposed to decorate the Hall of the Kingdoms aimed to glorify the military feats and conquests of the Spanish monarch (and the patron of Velazquez) Philip IV. It depicts a military victory, the 1624 Siege of Breda, during the Eighty … Velázquez, The Surrender of Breda.
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